Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
In this issue, we will introduce the detailed specifications of the spinning section.
The point is the natural unevenness of the yarn that cannot be produced by the design.
The natural unevenness of vintage denim has been thoroughly pursued by reducing the twist to the limit.
Only for BIG JOHN with a fluffy, supple and rough texture.
The “Mura” structural yarn is completed.
Nowadays, the technology of vintage fabrics has advanced and it is possible to create “unevenness” in the design
It has become, but in [5 Continents Organic Denim], an invention of Big John.
I aimed to achieve a natural texture that cannot be expressed in the “Mere Old Vintage”.
Next is “Dyeing Denim”.
Dyeing Denim
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I will introduce the details of the specifications little by little.
This time, I’m going to introduce the dyeing section.
We have pursued the deep indigo color of natural indigo.
Natural indigo does not come out to the deep density of indigo like synthetic indigo.
We have to keep on dyeing until you get a satisfying indigo color.
As a result, 16 ropes were dyed 16 times to achieve the deep indigo color we were looking for.
The process took three times as much time and effort as usual.
When I emphasize the importance of beautiful color fading of jeans, the color of the jeans is deep and deep.
The center of the yarn should be left white (medium white), and it should be rope-dyed.
Natural indigo dyeing material is not suitable for rope dyeing, but Sakamoto Denim is.
With your help, we were able to realize our research from the natural indigo itself.
The next issue will be “Woven Fabrics”.
Woven Fabric
Hi, this is MATSU.
We have just announced the launch in our recent BLOG!
“MODEL 80th XXXX-EXTRA”
I would like to introduce the details of the specifications little by little.
Today’s topic is “Woven Fabrics”.
Using a shuttle loom from the early Showa era, which is one of the few remaining machines, the tension is applied to the warp and weft.
We wove slowly and carefully, not giving to the extreme.
Its production is only a dozen meters a day.
At 15.8 ounces, the fabric is one of the heavier categories, but with time, it has a unusual surface.
The result is a fabric with a nice texture that is uneven, fluffy and unique.
We use high quality materials that are unparalleled in the world, and we use insufficient but labor-heavy amount of time to handcraft warm and beautiful materials.
A special original denim suitable for the 80th anniversary is launched.
Spinning Warp & Weft
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今回は【紡績編】
ポイントは、設計で出せない自然なムラ糸
撚りを限界まで落としヴィンテージデニムの自然なムラを徹底的に追及しました。
毛羽感がありしなやかでざっくりとした風合いのBIG JOHNだけの
“ムラ”ストラクチャーヤーンを完成させました。
現代ではヴィンテージファブリックの技術が進み、設計で”ムラ”が作れるように
なっていますが、【5大陸オーガニックデニム】では、あくまでもプログラミング
では表現できない自然な風合いを目指したのです。
次は【染色編】です。
Dyeing Denim
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今回は【染色編】
天然藍の藍色にこだわり、天然の持つ深い藍色を追求しました。
天然藍は合成インディゴのような深い濃度にすぐに出ないため
納得のいく藍色にたどり着くまでとにかく染めの回数を重ねて
行きました。
結果、ロープ染色を16回行う事で、求めていた深い藍色が完成。
その工程は通常の3倍もの時間と手間をかけることになってしまったのです。
美しいジーンズの色落ちも重視すると、深く濃い色を出しながらも、
糸の中心を白く残す（中白）、ロープ染色でなければならない。
本来ロープ染色には向かない”天然藍染料”だが、坂本デニム様の
ご協力の元、天然藍自体から研究し実現することができました。
次回は【織布編】
Woven Fabric
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今日は【織布編】
現存数の少ない昭和初期のシャトル織機を使い、タテ糸、ヨコ糸にテンションを
極限まで与えず、ゆっくりと時間をかけて丁寧に織りました。
その生産量は1日わずか十数メートル。
15.8オンスと、重たい部類に入る生地だが、時間をかける事で表面に独特の
凹凸感のある、ふっくらした味わいのある風合いの良い生地に仕上がりました。
世界でも類を見ない高品質な素材を使い、非効率であるが惜しみなく時間を
掛けた手作り感、温もりのある美しい素材。
80周年という節目にふさわしいスペシャルなオリジナルデニムが完成しました。
Spinning Warp & Weft
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今回は【紡績編】
ポイントは、設計で出せない自然なムラ糸
撚りを限界まで落としヴィンテージデニムの自然なムラを徹底的に追及しました。
毛羽感がありしなやかでざっくりとした風合いのBIG JOHNだけの
“ムラ”ストラクチャーヤーンを完成させました。
現代ではヴィンテージファブリックの技術が進み、設計で”ムラ”が作れるように
なっていますが、【5大陸オーガニックデニム】では、あくまでもプログラミング
では表現できない自然な風合いを目指したのです。
次は【染色編】です。
Dyeing Denim
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今回は【染色編】
天然藍の藍色にこだわり、天然の持つ深い藍色を追求しました。
天然藍は合成インディゴのような深い濃度にすぐに出ないため
納得のいく藍色にたどり着くまでとにかく染めの回数を重ねて
行きました。
結果、ロープ染色を16回行う事で、求めていた深い藍色が完成。
その工程は通常の3倍もの時間と手間をかけることになってしまったのです。
美しいジーンズの色落ちも重視すると、深く濃い色を出しながらも、
糸の中心を白く残す（中白）、ロープ染色でなければならない。
本来ロープ染色には向かない”天然藍染料”だが、坂本デニム様の
ご協力の元、天然藍自体から研究し実現することができました。
次回は【織布編】
Woven Fabric
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今日は【織布編】
現存数の少ない昭和初期のシャトル織機を使い、タテ糸、ヨコ糸にテンションを
極限まで与えず、ゆっくりと時間をかけて丁寧に織りました。
その生産量は1日わずか十数メートル。
15.8オンスと、重たい部類に入る生地だが、時間をかける事で表面に独特の
凹凸感のある、ふっくらした味わいのある風合いの良い生地に仕上がりました。
世界でも類を見ない高品質な素材を使い、非効率であるが惜しみなく時間を
掛けた手作り感、温もりのある美しい素材。
80周年という節目にふさわしいスペシャルなオリジナルデニムが完成しました。
Spinning Warp & Weft
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今回は【紡績編】
ポイントは、設計で出せない自然なムラ糸
撚りを限界まで落としヴィンテージデニムの自然なムラを徹底的に追及しました。
毛羽感がありしなやかでざっくりとした風合いのBIG JOHNだけの
“ムラ”ストラクチャーヤーンを完成させました。
現代ではヴィンテージファブリックの技術が進み、設計で”ムラ”が作れるように
なっていますが、【5大陸オーガニックデニム】では、あくまでもプログラミング
では表現できない自然な風合いを目指したのです。
次は【染色編】です。
Dyeing Denim
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今回は【染色編】
天然藍の藍色にこだわり、天然の持つ深い藍色を追求しました。
天然藍は合成インディゴのような深い濃度にすぐに出ないため
納得のいく藍色にたどり着くまでとにかく染めの回数を重ねて
行きました。
結果、ロープ染色を16回行う事で、求めていた深い藍色が完成。
その工程は通常の3倍もの時間と手間をかけることになってしまったのです。
美しいジーンズの色落ちも重視すると、深く濃い色を出しながらも、
糸の中心を白く残す（中白）、ロープ染色でなければならない。
本来ロープ染色には向かない”天然藍染料”だが、坂本デニム様の
ご協力の元、天然藍自体から研究し実現することができました。
次回は【織布編】
Woven Fabric
こんにちは、matsuです。
先日のBLOGで発売を発表いたしました
”MODEL 80th XXXX-EXTRA”
その細かい仕様を少しずつ紹介して行きます。
今日は【織布編】
現存数の少ない昭和初期のシャトル織機を使い、タテ糸、ヨコ糸にテンションを
極限まで与えず、ゆっくりと時間をかけて丁寧に織りました。
その生産量は1日わずか十数メートル。
15.8オンスと、重たい部類に入る生地だが、時間をかける事で表面に独特の
凹凸感のある、ふっくらした味わいのある風合いの良い生地に仕上がりました。
世界でも類を見ない高品質な素材を使い、非効率であるが惜しみなく時間を
掛けた手作り感、温もりのある美しい素材。
80周年という節目にふさわしいスペシャルなオリジナルデニムが完成しました。
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